Na Pełnym Gazie

03:17

il y a 2 mois

contry rock szybki gitarowy utwór z męskim wokalem

male vocals rock Fast country rock drive with male vocals; twangy overdriven guitars locked to a brisk train-beat groove tight snare and bright kick. Verses stay tight and punchy with palm-muted riffs; chorus explodes with open chords stacked gang shouts on the title line and a singalong melody. Short fiery guitar fills between lines then a brief instrumental lift before the final double-chorus for maximum crowd energy.

Na Pełnym Gazie

02:50

il y a 2 mois

de ryszardtrack

contry rock szybki gitarowy utwór z męskim wokalem

male vocals rock Fast country rock drive with male vocals; twangy overdriven guitars locked to a brisk train-beat groove tight snare and bright kick. Verses stay tight and punchy with palm-muted riffs; chorus explodes with open chords stacked gang shouts on the title line and a singalong melody. Short fiery guitar fills between lines then a brief instrumental lift before the final double-chorus for maximum crowd energy.

Red Laces on the Dashboard

02:47

il y a 2 mois

de Pedrortega

"Pulp fiction" film style. 6 minutes

male vocals Twangy surf-rock guitars with spring reverb tight drum groove and a greasy baritone male vocal. Verses stay low and conversational; choruses jump up with shout-along gang vocals and big stabbing chords. Brief tremolo guitar breaks and organ stabs add pulp grit. Mix leans into tape-style saturation and room ambience building toward a frantic final chorus and a hard stop.

Red Laces on the Dashboard

01:30

il y a 2 mois

de Pedrortega

"Pulp fiction" film style. 6 minutes

male vocals Twangy surf-rock guitars with spring reverb tight drum groove and a greasy baritone male vocal. Verses stay low and conversational; choruses jump up with shout-along gang vocals and big stabbing chords. Brief tremolo guitar breaks and organ stabs add pulp grit. Mix leans into tape-style saturation and room ambience building toward a frantic final chorus and a hard stop.

Genre: Classical piece used to promote a theatre company making fairytale theatre productions for kids and adults alike. The mood must feel magical and exciting. Build up to something spectacular and then end in a fade that makes you want more.

male vocals classical magical exciting Sweeping orchestral score with bright strings woodwinds fluttering like storybook pages and triumphant brass; male vocals lead with choir joining on the last chorus. Begins with a gentle bell-kissed waltz feel builds into a grand swirling climax with full percussion and soaring high notes then tapers into a hushed shimmering reprise that fades on suspended strings and distant choir.

Curtain Up, Once Upon a Time

01:06

il y a 2 mois

de Frederik Veis

Genre: Classical piece used to promote a theatre company making fairytale theatre productions for kids and adults alike. The mood must feel magical and exciting. Build up to something spectacular and then end in a fade that makes you want more.

male vocals classical magical exciting Sweeping orchestral score with bright strings woodwinds fluttering like storybook pages and triumphant brass; male vocals lead with choir joining on the last chorus. Begins with a gentle bell-kissed waltz feel builds into a grand swirling climax with full percussion and soaring high notes then tapers into a hushed shimmering reprise that fades on suspended strings and distant choir.

All Night in Your Eyes

04:00

il y a 2 mois

de mdsudzzet hossin

EDM HOUSE

male vocals dance [EDM crisp hi-hats Bright festival-ready EDM house with male vocals. Driving four-on-the-floor kick sidechained synth pads plucky lead riff. Verses minimal with filtered chords and tight bass; pre-chorus lifts with risers and vocal stacks. Chorus explodes with wide supersaw chords octave lead hook and crowd-chant backing. Big reverb on topline and a short instrumental break before the final hook.

All Night in Your Eyes

04:00

il y a 2 mois

de mdsudzzet hossin

EDM HOUSE

male vocals dance [EDM crisp hi-hats Bright festival-ready EDM house with male vocals. Driving four-on-the-floor kick sidechained synth pads plucky lead riff. Verses minimal with filtered chords and tight bass; pre-chorus lifts with risers and vocal stacks. Chorus explodes with wide supersaw chords octave lead hook and crowd-chant backing. Big reverb on topline and a short instrumental break before the final hook.

Mariposa Neón

02:40

il y a 2 mois

de Cromwell Moses

musica reggae love en inglés sobre Neon Butterflys, para un amor que duro un tiempo pero se ha acabado

male vocals reggae Warm island reggae groove with skanking guitar and lazy offbeat keys deep round bass and soft rimshot groove. Male vocals relaxed but bittersweet; verses stay intimate and close-mic chorus lifts with airy harmonies and gentle echo. Subtle organ swells in the bridge final hook rides out with layered “oh-oh” ad-libs and a mellow fade.

Mariposa Neón

03:17

il y a 2 mois

de Cromwell Moses

musica reggae love en inglés sobre Neon Butterflys, para un amor que duro un tiempo pero se ha acabado

male vocals reggae Warm island reggae groove with skanking guitar and lazy offbeat keys deep round bass and soft rimshot groove. Male vocals relaxed but bittersweet; verses stay intimate and close-mic chorus lifts with airy harmonies and gentle echo. Subtle organ swells in the bridge final hook rides out with layered “oh-oh” ad-libs and a mellow fade.

Pasture Dawn Jingle

03:04

il y a 2 mois

de [email protected]

I'd like music for a simple 6-7 second video intro, with nature sounds in the background, maybe a faint cow meow. A banjo or acoustic guitar solo would be fine.

male vocals simple acoustic folk faint Warm rootsy bumper with banjo or lightly picked acoustic guitar over soft wind birds and a distant cow ambience; single catchy male vocal line right up front quick resolve ending on a bright open chord that rings out into silence

Pasture Dawn Jingle

01:49

il y a 2 mois

de [email protected]

I'd like music for a simple 6-7 second video intro, with nature sounds in the background, maybe a faint cow meow. A banjo or acoustic guitar solo would be fine.

male vocals simple acoustic folk faint Warm rootsy bumper with banjo or lightly picked acoustic guitar over soft wind birds and a distant cow ambience; single catchy male vocal line right up front quick resolve ending on a bright open chord that rings out into silence

Late Night Half-Light

02:59

il y a 2 mois

de N H

Indie and R&B soft slow

male vocals slow r&b Soft Indie-R&B blend with soft male vocals intimate bedroom-recording feel. Clean electric guitar chords and mellow Rhodes set a slow pocket; subtle sub-bass and brushed drums ease in on the first chorus. Verses stay hushed and close-mic’d chorus widens with airy harmonies and gentle reverb swells. Occasional falsetto ad-libs and a brief spacey guitar fill before the final hook keep it hypnotic yet understated.

Late Night Half-Light

04:00

il y a 2 mois

de N H

Indie and R&B soft slow

male vocals slow r&b Soft Indie-R&B blend with soft male vocals intimate bedroom-recording feel. Clean electric guitar chords and mellow Rhodes set a slow pocket; subtle sub-bass and brushed drums ease in on the first chorus. Verses stay hushed and close-mic’d chorus widens with airy harmonies and gentle reverb swells. Occasional falsetto ad-libs and a brief spacey guitar fill before the final hook keep it hypnotic yet understated.

صيحة رجال الجبال

03:40

il y a 2 mois

de Alialiali Rt

Yemeni Zamil style, Tribal Arabic chants, High energy, Strong percussion, Traditional Yemeni drums, Male choir, Powerful vocals, 4/4 rhythm, Orchestral Arabic strings, Folk, War-like intensity.

male vocals orchestral folk strong Explosive Yemeni zamil in 4/4 male vocals leading a raw male choir. Heavy traditional drums drive a stomping war cadence; layered hand percussion and sharp clapping answer the chant. Orchestral Arabic strings stab and swell between lines doubling the melody on big phrases. Energy starts intense and keeps climbing with call-and-response hooks and unison shouts hitting like a battle cry.

صيحة رجال الجبال

03:06

il y a 2 mois

de Alialiali Rt

Yemeni Zamil style, Tribal Arabic chants, High energy, Strong percussion, Traditional Yemeni drums, Male choir, Powerful vocals, 4/4 rhythm, Orchestral Arabic strings, Folk, War-like intensity.

male vocals orchestral folk strong Explosive Yemeni zamil in 4/4 male vocals leading a raw male choir. Heavy traditional drums drive a stomping war cadence; layered hand percussion and sharp clapping answer the chant. Orchestral Arabic strings stab and swell between lines doubling the melody on big phrases. Energy starts intense and keeps climbing with call-and-response hooks and unison shouts hitting like a battle cry.

Saudades da Infância

03:27

il y a 2 mois

de [email protected]

Cria uma música com o título saudades da infância, retrata sobre momentos bons e ruins da infância.

male vocals bass swells Warm acoustic pop with male vocals nylon-string guitar and subtle brushed drums. Verses stay intimate and close-mic’d light piano doubling key phrases; chorus widens with stacked harmonies and tambourine. Gentle build into a final more emotional chorus then a soft guitar outro letting the last line hang in the air.

Saudades da Infância

04:00

il y a 2 mois

de [email protected]

Cria uma música com o título saudades da infância, retrata sobre momentos bons e ruins da infância.

male vocals bass swells Warm acoustic pop with male vocals nylon-string guitar and subtle brushed drums. Verses stay intimate and close-mic’d light piano doubling key phrases; chorus widens with stacked harmonies and tambourine. Gentle build into a final more emotional chorus then a soft guitar outro letting the last line hang in the air.

Je Gagne Demain

03:04

il y a 2 mois

de hans youri Delice

Chaque matin je me lève, le cœur plein de rêves. Pas de peur dans mes veines, je marche sans trêve. Les obstacles sont là, mais je les franchis. Ma force est en moi, personne ne me détruit. Toujours en avant, jamais en arrière. Je vise les étoiles, je touche la lumière. Chaque pas me rapproche, je ne lâche rien. La vie est un combat, et je gagne demain. Les voix qui disent non, je les transforme e

male vocals Anthemic French hip-hop with male vocals warm keys over a mid-tempo trap bounce cinematic strings lifting the hook. Verses tight and rhythmic voice upfront; chorus explodes with stacked gang vocals and big drums then drops back to sparse piano and 808 for the last lines to feel intimate but defiant.

Je Gagne Demain

03:19

il y a 2 mois

de hans youri Delice

Chaque matin je me lève, le cœur plein de rêves. Pas de peur dans mes veines, je marche sans trêve. Les obstacles sont là, mais je les franchis. Ma force est en moi, personne ne me détruit. Toujours en avant, jamais en arrière. Je vise les étoiles, je touche la lumière. Chaque pas me rapproche, je ne lâche rien. La vie est un combat, et je gagne demain. Les voix qui disent non, je les transforme e

male vocals Anthemic French hip-hop with male vocals warm keys over a mid-tempo trap bounce cinematic strings lifting the hook. Verses tight and rhythmic voice upfront; chorus explodes with stacked gang vocals and big drums then drops back to sparse piano and 808 for the last lines to feel intimate but defiant.