Akala Ko Kaya Ko Na

03:38

il y a 2 mois

Verse 1 Akala ko okay na ako Akala ko nagiging okay ako Isang buwan kang hindi nakausap Unti-unti na akong humihinga Tahimik na ang gabi ko Hindi ka na bumibisita sa isip Pakiramdam ko kaya ko na Akala ko kaya ko na Pre-Chorus Pero isang paramdam mo lang Biglang gumuho ang lahat Chorus Alam mo paano ako pabalikin Alam mo paano ako pangitiin Pero sa likod ng lahat ng ’yon Hindi na tayo babalik

female vocals Moody Filipino pop ballad with female vocals sparse electric piano and warm pads in the verses then a wider chorus with mellow drums and airy backing harmonies. Keep the tempo mid-slow let the vocal sit upfront and intimate with a subtle lift into the pre-chorus and a gentle swell on each hook repeat.

Do Inbox pro Altar

03:37

il y a 2 mois

de Roberta Machado

Faça uma música falando que agente se encontro no Facebook namoro e que agente ta casado a 5 anos

female vocals lingering outro chord. Warm acoustic pop ballad with female vocals; gentle nylon guitar and soft piano carry the verses light percussion and subtle bass join on the chorus. First chorus stays intimate second chorus blooms with stacked harmonies and a simple tambourine groove. Bridge strips back to almost solo vocal then final hook returns with a singalong feel and a soft

Do Inbox pro Altar

03:03

il y a 2 mois

de Roberta Machado

Faça uma música falando que agente se encontro no Facebook namoro e que agente ta casado a 5 anos

female vocals lingering outro chord. Warm acoustic pop ballad with female vocals; gentle nylon guitar and soft piano carry the verses light percussion and subtle bass join on the chorus. First chorus stays intimate second chorus blooms with stacked harmonies and a simple tambourine groove. Bridge strips back to almost solo vocal then final hook returns with a singalong feel and a soft

Groove in My Bones

03:29

il y a 2 mois

de [email protected]

an upbeat amapiano song. South African groovy sound

groovy female vocals and a deep shuffling percussion Sunny amapiano groove with bright log drums and warm Rhodes stabs; female vocals riding a mid-tempo swing. Verses stay tight and conversational pre-chorus adds rising synth pads and call‑and‑response ad-libs; chorus explodes with stacked harmonies airy leads round bass. Energy builds in waves with a short instrumental lift before final hook.

Groove in My Bones

02:58

il y a 2 mois

de [email protected]

an upbeat amapiano song. South African groovy sound

groovy female vocals and a deep shuffling percussion Sunny amapiano groove with bright log drums and warm Rhodes stabs; female vocals riding a mid-tempo swing. Verses stay tight and conversational pre-chorus adds rising synth pads and call‑and‑response ad-libs; chorus explodes with stacked harmonies airy leads round bass. Energy builds in waves with a short instrumental lift before final hook.

Soft Morning in Toyland

04:00

il y a 2 mois

de md foyzur rohman

Soft and gentle background music for a 3D kids cartoon video. Style: Nursery rhyme instrumental, cute and innocent. Mood: Warm, emotional at the beginning, slowly becoming happy and joyful. Tempo: Slow to medium. Instruments: Soft piano, xylophone, gentle bells, light pads. Feeling: Child-friendly, comforting, peaceful, joyful ending. Important: No vocals. No lyrics. No singing. Only instrumenta

emotional happy joyful slow female vocals light Soft Warm gentle triumphant finale. Nursery-score feel with soft piano lead and warm pads cute xylophone and bell motifs weaving in. Start sparse and tender then gradually add playful countermelodies and gentle percussion colors for a slow rise from emotional to joyful. Female vocal oohs and ahhs float in as wordless texture near the end blooming into a cozy nursery

Soft Morning in Toyland

04:00

il y a 2 mois

de md foyzur rohman

Soft and gentle background music for a 3D kids cartoon video. Style: Nursery rhyme instrumental, cute and innocent. Mood: Warm, emotional at the beginning, slowly becoming happy and joyful. Tempo: Slow to medium. Instruments: Soft piano, xylophone, gentle bells, light pads. Feeling: Child-friendly, comforting, peaceful, joyful ending. Important: No vocals. No lyrics. No singing. Only instrumenta

emotional happy joyful slow female vocals light Soft Warm gentle triumphant finale. Nursery-score feel with soft piano lead and warm pads cute xylophone and bell motifs weaving in. Start sparse and tender then gradually add playful countermelodies and gentle percussion colors for a slow rise from emotional to joyful. Female vocal oohs and ahhs float in as wordless texture near the end blooming into a cozy nursery

Brillo En Mi Jornada

02:26

il y a 2 mois

de Celeste Cardoso

una canción rap alegre sobre el trabajo

rap female vocals crisp claps Sunny boom-bap groove with bouncy bass and upbeat keys; female vocals playful yet powerful stacking call-and-response hooks in the chorus. Verses ride a tight pocket agile flow and smile-in-the-voice attitude; bridge strips back to drums and bass before a triumphant final chorus with doubled leads and sweet harmonies.

Brillo En Mi Jornada

03:28

il y a 2 mois

de Celeste Cardoso

una canción rap alegre sobre el trabajo

rap female vocals crisp claps Sunny boom-bap groove with bouncy bass and upbeat keys; female vocals playful yet powerful stacking call-and-response hooks in the chorus. Verses ride a tight pocket agile flow and smile-in-the-voice attitude; bridge strips back to drums and bass before a triumphant final chorus with doubled leads and sweet harmonies.

Entre Nosotras

02:03

il y a 2 mois

de ENRIQUE GARCIA OLMOS

pop y tres chicas cantando

pop female vocals finger snaps Shiny Latin-pop bounce with bright acoustic guitars and a rubbery bass. Three female vocals trading lines and tight harmonies; playful call-and-response in the hook. Verses stay minimal then choruses burst with stacked ad-libs and claps big summery energy for a short radio-ready single.

Entre Nosotras

02:19

il y a 2 mois

de ENRIQUE GARCIA OLMOS

pop y tres chicas cantando

pop female vocals finger snaps Shiny Latin-pop bounce with bright acoustic guitars and a rubbery bass. Three female vocals trading lines and tight harmonies; playful call-and-response in the hook. Verses stay minimal then choruses burst with stacked ad-libs and claps big summery energy for a short radio-ready single.

De ce încă mă doare

03:40

il y a 2 mois

de Isabella Emma

De ce încă mă doare Strofa 1 Ce crezi că mă doare, nu-s banii, nu-s anii, Nu-s nopțile reci, nici vorbele lumii, Mă doare tăcerea ce-ai lăsat-o-n mine, Jurăminte spuse, pierdute prin tine. Te-am ales cu inima, chiar când n-a fost bine, Viața m-a pus între tine și familie, Te-am iubit cu frică, cu suflet curat, Și-am rămas singură… dar nu te-am uitat. Pre-refren Spun că sunt tare, dar nu mă crede,

female vocals Emotional pop ballad with female vocals; intimate piano and airy pads in the verses heartbeat kick and warm bass building into a soaring hooky chorus; subtle strings lift the pre-chorus layered harmonies and reverb-drenched ad-libs in the chorus then a gentle drop for the final line

De ce încă mă doare

03:35

il y a 2 mois

de Isabella Emma

De ce încă mă doare Strofa 1 Ce crezi că mă doare, nu-s banii, nu-s anii, Nu-s nopțile reci, nici vorbele lumii, Mă doare tăcerea ce-ai lăsat-o-n mine, Jurăminte spuse, pierdute prin tine. Te-am ales cu inima, chiar când n-a fost bine, Viața m-a pus între tine și familie, Te-am iubit cu frică, cu suflet curat, Și-am rămas singură… dar nu te-am uitat. Pre-refren Spun că sunt tare, dar nu mă crede,

female vocals Emotional pop ballad with female vocals; intimate piano and airy pads in the verses heartbeat kick and warm bass building into a soaring hooky chorus; subtle strings lift the pre-chorus layered harmonies and reverb-drenched ad-libs in the chorus then a gentle drop for the final line

Budi IN

02:50

il y a 2 mois

de Mirsada Husejnovic

**“Svaka žena ima svoj trenutak… Ovo je tvoj. Nokti koji ostavljaju trag. Kosa koja govori bez riječi. Pogled koji osvaja. IN Frizerski salon. Ljepota počinje ovdje. Budi IN.”**

female vocals Glossy Balkan pop anthem for female vocals mid-tempo bounce. Shimmering synths tight club kick and airy pads in the verses; chorus explodes with stacked harmonies and bright claps. Subtle guitar plucks and a deep warm bass glue the groove. Big confident top-line with a final ad-lib run for a memorable tagline.

Budi IN

03:07

il y a 2 mois

de Mirsada Husejnovic

**“Svaka žena ima svoj trenutak… Ovo je tvoj. Nokti koji ostavljaju trag. Kosa koja govori bez riječi. Pogled koji osvaja. IN Frizerski salon. Ljepota počinje ovdje. Budi IN.”**

female vocals Glossy Balkan pop anthem for female vocals mid-tempo bounce. Shimmering synths tight club kick and airy pads in the verses; chorus explodes with stacked harmonies and bright claps. Subtle guitar plucks and a deep warm bass glue the groove. Big confident top-line with a final ad-lib run for a memorable tagline.

Soft Tides

02:25

il y a 2 mois

de Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

slow female vocals Soft relaxing vocal minimal long reverb tail Sparse ambient bed with slow breathing pads and a gentle pulsing sub. Continuous airy female “ahh / ooh” lead glides on a simple repeating motif; occasional soft stacked harmonies bloom on downbeats. Very slow tempo subtle swells and reverse textures that ebb and flow like waves. Keep everything low and warm so the vocal feels close and lullaby-like.

Soft Tides

03:30

il y a 2 mois

de Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

slow female vocals Soft relaxing vocal minimal long reverb tail Sparse ambient bed with slow breathing pads and a gentle pulsing sub. Continuous airy female “ahh / ooh” lead glides on a simple repeating motif; occasional soft stacked harmonies bloom on downbeats. Very slow tempo subtle swells and reverse textures that ebb and flow like waves. Keep everything low and warm so the vocal feels close and lullaby-like.

Derrière Tout Ça

03:44

il y a 2 mois

de Jennifer Marchand

une chanson pop, très émotive, qui relate mon histoire : je suis maman solo d’une jeune fille handicapée et je ne sortais jamais. Je tombée amoureuse de mon voisin après qu’il ait tout fait pour me rencontrer. Puis c’est finalement moi qui l’ai aidé à sortir de sa dépression en le poussant à se défaire de ses addictions et à devenir la personne que je voyais derrière tout ça.

pop female vocals chanson hopeful outro chord. Modern French pop ballad with intimate piano and warm pads female vocals up close and vulnerable. First verse soft and spacious subtle electric guitar swells. Chorus blooms with wide synths deep but gentle drums and stacked harmonies on the hook. Second verse adds pulsing bass and light percussion bridge strips back to piano and vocal before a final soaring chorus and a lingering

Derrière Tout Ça

03:42

il y a 2 mois

de Jennifer Marchand

une chanson pop, très émotive, qui relate mon histoire : je suis maman solo d’une jeune fille handicapée et je ne sortais jamais. Je tombée amoureuse de mon voisin après qu’il ait tout fait pour me rencontrer. Puis c’est finalement moi qui l’ai aidé à sortir de sa dépression en le poussant à se défaire de ses addictions et à devenir la personne que je voyais derrière tout ça.

pop female vocals chanson hopeful outro chord. Modern French pop ballad with intimate piano and warm pads female vocals up close and vulnerable. First verse soft and spacious subtle electric guitar swells. Chorus blooms with wide synths deep but gentle drums and stacked harmonies on the hook. Second verse adds pulsing bass and light percussion bridge strips back to piano and vocal before a final soaring chorus and a lingering